Complete your Two Door Cinema Club record collection. Discover Two Door Cinema Club's full discography. Shop new and used Vinyl and CDs. While Two Door Cinema Club don't yet have the flawless style or emotional weight of some of their influences, Tourist History just gets catchier and more stylized as it goes on, offering a promising foundation for the band to embellish with even more personality next time.
00:03:51 Unavail. 00:04:58 Unavail. 00:04:58 Unavail.
00:03:53 Unavail. 00:03:55 Unavail. ALAN MOULDER, Mixer - John Davies, Masterer - Jacknife Lee, Producer, Additional Guitar, Keyboards, Additional Programmer, Recording Engineer - Jesse Shatkin, Composer - Two Door Cinema Club, MainArtist - Kevin Baird, Composer, Bass Guitar, Vocals, Synthesizer - Alex Trimble, Composer, Drums, Guitar, Keyboards, Percussion, Piano, Vocals, Synthesizer - Sam Halliday, Composer, Guitar, Vocals, Synthesizer - Matt Bishop, Assistant Producer, Recording Engineer - S. Foreman, Composer - Caesar Edmunds, Assistant Mix Engineer Copyright: 2016 Two Door Cinema Club under exclusive license to Parlophone Records Limited, a Warner Music Group company 2016 Two Door Cinema Club under exclusive license to Parlophone Records Limited, a Warner Music Group company. 6 Fever.
00:04:42 Unavail. 00:04:29 Unavail. ALAN MOULDER, Mixer - John Davies, Masterer - Jacknife Lee, Producer, Additional Guitar, Additional Keyboards, Additional Programmer, Recording Engineer - Garret Lee, Composer - Two Door Cinema Club, MainArtist - Kevin Baird, Composer, Bass Guitar, Vocals, Synthesizer - Alex Trimble, Composer, Drums, Guitar, Keyboards, Percussion, Piano, Vocals, Synthesizer - Sam Halliday, Composer, Guitar, Vocals, Synthesizer - Matt Bishop, Assistant Producer, Recording Engineer - Caesar Edmunds, Assistant Mix Engineer - Rory W. Andrew, Composer Copyright: 2016 Two Door Cinema Club under exclusive license to Parlophone Records Limited, a Warner Music Group company 2016 Two Door Cinema Club under exclusive license to Parlophone Records Limited, a Warner Music Group company.
8 Good Morning. 00:03:56 Unavail. 00:04:36 Unavail.
00:03:43 Unavail. 00:04:27 Unavail. 00:06:10 Unavail. 00:03:54 Unavail. Ireland's Two Door Cinema Club transform into a glitzy disco and synth pop-infused powerhouse on their third studio album, 2016's Gameshow.
Having garnered favorable attention for their infectious, dance-rock-heavy 2010 debut, Tourist History, the trio of singer/guitarist/programmer Alex Trimble, guitarist/singer Sam Halliday, and bassist/singer Kevin Baird immediately began expanding their sound on their follow-up, 2012's Beacon. However, where that album found them maturing with a softer musical palette and weightier emotionalism, Gameshow is a dynamic shift away from the buoyantly kinetic guitar-based approach of their first two albums. Which isn't to say they've completely abandoned their post-punk roots; tracks like the ferocious 'Gameshow' and the dynamic 'Surgery' are a perfect balance of Scary Monsters-era David Bowie and Seven and the Ragged Tiger-era Duran Duran. That said, the lion's share of Gameshow is filled with pulsing, neon-toned dance numbers that sound equal parts Giorgio Moroder and '70s Bee Gees. While name-dropping influences feels a bit too easy for the high quality of songwriting on display on Gameshow, the enthusiastic nature by which Two Door Cinema Club have clearly gravitated toward these old-school dance club sounds is worth mentioning. In that sense, the metamorphosis from garagey post-punk to hip, R&B-inflected disco also brings to mind the similar trajectory of contemporary acts like France's Phoenix and Canada's Arcade Fire. Thankfully, the album never sounds like a retro pastiche, and instead the band has found a sweet spot between vintage cool and modern sophistication.
These are vibrant productions courtesy of Beacon helmer Jacknife Lee, who frames Trimble's yearning tenor croon with juicy laser-beam synths, Halliday's kinetic Nile Rodgers-esque guitars, and Baird's hip-swaying bass riffs. Cuts like 'Bad Decisions' and 'Fever' are catchy, falsetto-heavy groovers that bring to mind a mix of the Bee Gees' Saturday Night Fever soundtrack and Off the Wall-era Michael Jackson. Similarly, the romantic and sad-eyed 'Invincible' sounds amazingly like a Justin Timberlake ballad if produced by ELO's Jeff Lynne. With Gameshow, Two Door Cinema Club ultimately balance a growing pop maturity with a stylish strut worthy of Saturday Night Fever's Tony Manero. Matt Collar.
00:03:51 Unavail. 00:04:58 Unavail. 00:04:58 Unavail. 00:03:53 Unavail. 00:03:55 Unavail. ALAN MOULDER, Mixer - John Davies, Masterer - Jacknife Lee, Producer, Additional Guitar, Keyboards, Additional Programmer, Recording Engineer - Jesse Shatkin, Composer - Two Door Cinema Club, MainArtist - Kevin Baird, Composer, Bass Guitar, Vocals, Synthesizer - Alex Trimble, Composer, Drums, Guitar, Keyboards, Percussion, Piano, Vocals, Synthesizer - Sam Halliday, Composer, Guitar, Vocals, Synthesizer - Matt Bishop, Assistant Producer, Recording Engineer - S.
![Cinema Cinema](/uploads/1/2/4/3/124321074/923263110.jpg)
Foreman, Composer - Caesar Edmunds, Assistant Mix Engineer Copyright: 2016 Two Door Cinema Club under exclusive license to Parlophone Records Limited, a Warner Music Group company 2016 Two Door Cinema Club under exclusive license to Parlophone Records Limited, a Warner Music Group company. 6 Fever. 00:04:42 Unavail.
00:04:29 Unavail. ALAN MOULDER, Mixer - John Davies, Masterer - Jacknife Lee, Producer, Additional Guitar, Additional Keyboards, Additional Programmer, Recording Engineer - Garret Lee, Composer - Two Door Cinema Club, MainArtist - Kevin Baird, Composer, Bass Guitar, Vocals, Synthesizer - Alex Trimble, Composer, Drums, Guitar, Keyboards, Percussion, Piano, Vocals, Synthesizer - Sam Halliday, Composer, Guitar, Vocals, Synthesizer - Matt Bishop, Assistant Producer, Recording Engineer - Caesar Edmunds, Assistant Mix Engineer - Rory W. Andrew, Composer Copyright: 2016 Two Door Cinema Club under exclusive license to Parlophone Records Limited, a Warner Music Group company 2016 Two Door Cinema Club under exclusive license to Parlophone Records Limited, a Warner Music Group company.
8 Good Morning. 00:03:56 Unavail. 00:04:36 Unavail. 00:03:43 Unavail. 00:04:27 Unavail.
00:06:10 Unavail. 00:03:54 Unavail. Ireland's Two Door Cinema Club transform into a glitzy disco and synth pop-infused powerhouse on their third studio album, 2016's Gameshow. Having garnered favorable attention for their infectious, dance-rock-heavy 2010 debut, Tourist History, the trio of singer/guitarist/programmer Alex Trimble, guitarist/singer Sam Halliday, and bassist/singer Kevin Baird immediately began expanding their sound on their follow-up, 2012's Beacon. However, where that album found them maturing with a softer musical palette and weightier emotionalism, Gameshow is a dynamic shift away from the buoyantly kinetic guitar-based approach of their first two albums. Which isn't to say they've completely abandoned their post-punk roots; tracks like the ferocious 'Gameshow' and the dynamic 'Surgery' are a perfect balance of Scary Monsters-era David Bowie and Seven and the Ragged Tiger-era Duran Duran. That said, the lion's share of Gameshow is filled with pulsing, neon-toned dance numbers that sound equal parts Giorgio Moroder and '70s Bee Gees.
While name-dropping influences feels a bit too easy for the high quality of songwriting on display on Gameshow, the enthusiastic nature by which Two Door Cinema Club have clearly gravitated toward these old-school dance club sounds is worth mentioning. In that sense, the metamorphosis from garagey post-punk to hip, R&B-inflected disco also brings to mind the similar trajectory of contemporary acts like France's Phoenix and Canada's Arcade Fire. Thankfully, the album never sounds like a retro pastiche, and instead the band has found a sweet spot between vintage cool and modern sophistication.
These are vibrant productions courtesy of Beacon helmer Jacknife Lee, who frames Trimble's yearning tenor croon with juicy laser-beam synths, Halliday's kinetic Nile Rodgers-esque guitars, and Baird's hip-swaying bass riffs. Cuts like 'Bad Decisions' and 'Fever' are catchy, falsetto-heavy groovers that bring to mind a mix of the Bee Gees' Saturday Night Fever soundtrack and Off the Wall-era Michael Jackson. Similarly, the romantic and sad-eyed 'Invincible' sounds amazingly like a Justin Timberlake ballad if produced by ELO's Jeff Lynne. With Gameshow, Two Door Cinema Club ultimately balance a growing pop maturity with a stylish strut worthy of Saturday Night Fever's Tony Manero. Matt Collar.